We're looking for a Sound No. 2 to join the team behind our production of Shelagh Delaney's ground-breaking British classic A Taste of Honey, returning to the West End for the first time in 60 years.

Directed by Bijan Sheibani (Barber Shop Chronicles) and designed by Hildegard Bechtler (Antony and Cleopatra), this exciting new staging is a gritty depiction of working-class life in post-war Britain and an exhilarating portrayal of the vulnerabilities and strengths of the female spirit in a deprived and restless world.

The Sound 2 assists the team in the co-ordination, hires and preparation of equipment and venue supplies, in tech and throughout the run. Full details of the duties and responsibilities can be found in the job description, along with the rehearsal and performance dates.

We're looking for people with experience of working in a similar role on a medium scale run in the West End of London or equivalent, excellent live mixing skills with a proven track record of dealing with complex radio mic shows, and the ability to work well under pressure.

Duties and Responsibilities
- To assist the Production Manager, Production Sound Engineer, Associate and Sound Designer, Company Stage Manager, Sound No. 1 and Tech Swing in the co ordination, hires and preparation of equipment and venue supplies, in tech and throughout the run
- To be actively involved in, and to assist the Production Manager, Production Sound Engineer, Company Stage Manager and the Sound No. 1 in running the fit-up and maintenance, taking particular responsibility for dealing with the radio mics, as scheduled by the Sound No. 1
- To run the on-stage sound plot during performances and to manage venue crew where necessary
- To take responsibility for the radio mics during performances, including testing, fittings and checking
- To manage sound checks and ensure the smooth running of the show
- To live mix the show from front of house during performances as required
- To work with the Sound No. 1 on Sound maintenance
- To deputise for the Sound No. 1 where necessary
- To provide technical support for any cast rehearsals as scheduled by the Company Stage Manager
- To be an active member of the technical team, working to support and assist staff as required, and providing support and assistance to cover days off
- To account for and support the administration of petty cash for Sound Department spends, obtaining where possible VAT invoices for any hires and purchases put through on petty cash
- To attend technical and dress rehearsals to ensure awareness of the sound requirements, and any resulting changes
- To uphold the high production standards expected for a first-class play, and the high artistic quality required by the Sound Designer and Associate Sound Designer
- To act on own initiative and to deputise for the Sound No. 1, including live mixing the show and facilitating any maintenance work required
- To carry out all other duties normally associated with the role of Sound No.2 on a run of a first-class play in the West End of London
- To carry out careful observation and have an active involvement in all production related risk assessments
- To be an active member of the team, working to support and assist staff during weekly running, and providing support and assistance to cover days off
- To comply with the various policies of the Producer and each touring venue on Social Media, Equal Opportunities, Harassment, Smoking, Alcohol, Drugs and Health and Safety
- To comply with the National's policies and general operational standards and procedures at all times (e.g. Licensing Laws, Equal Opportunities, Data Protection, Health and Safety, etc.)

Person Specification
Essential
- Experience of working in a similar role on a medium scale run in the West End of London or equivalent essential
- Excellent live mixing skills with a proven track record of dealing with complex radio mic shows

Job Description

Sound No.2
- Flexible and self-motivated with the ability to work well as part of a team and to work calmly under pressure, and self-motivated with the ability to work well with actors, musicians and other theatre staff
- Proactive and energetic, able to work with commitment and dedication to find solutions
- Good communication and organisational skills

Desirable
- Awareness of current Health & Safety legislation