{"id":145,"date":"2010-06-15T14:39:16","date_gmt":"2010-06-15T14:39:16","guid":{"rendered":"http:\/\/productionbase.wordpress.com\/?p=145"},"modified":"2016-02-29T13:05:15","modified_gmt":"2016-02-29T13:05:15","slug":"success-zeitgiests-and-the-one-man-band","status":"publish","type":"post","link":"https:\/\/www.productionbase.co.uk\/blog\/2010\/06\/15\/success-zeitgiests-and-the-one-man-band\/","title":{"rendered":"Success, Zeitgeists &#038; The One Man Band"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1800\" src=\"https:\/\/www.productionbase.co.uk\/blog\/wp-content\/uploads\/2010\/06\/2010-06-15-Abi-Kelly-Success-Zeitgeists-and-The-One-Man-Band-v21.jpg\" alt=\"Success, Zeitgeists &amp; The One Man Band\" width=\"558\" height=\"210\" \/><\/p>\n<p><strong>This week we are pleased to welcome freelance producer\/director, Abi Kelly, who highlights the joys of multi-tasking and the lows of being everything to everyone.<\/strong><\/p>\n<p>When I was fumbling through my teens, dreams and ambitions were usually grounded in being part of something really exciting. If it was buzzy, creative and fun and didn\u2019t involve Pythagoras\u2019 Theorem or Bunsen Burners, then I was happy and motivated.<\/p>\n<p>When I was at school and uni, success leading to immediate happiness stemmed from a whole spectrum of events: mastering lead roles in plays and musicals, writing \u2018A\u2019 grade poetry, organising a charity fashion show and winning The Effort Award in assemblies (\u201cwell done Abigail for scoring maximum in that whole \u2018trying\u2019 thing, but The Success Award once again goes to Beatrice Van Horn Alkema\u201d.)<!--more--><\/p>\n<p>Nowadays though, gaining any level of success feels like a far lengthier, and occasionally more haphazard process &#8211; like being blindfolded, spun around and instructed to throw slime at a cat \u2013 the odds aren&#8217;t great but some of it&#8217;s bound to stick. Of course, fragments of relative success and various \u2018back pats\u2019 are happily received along the way, but they\u2019re almost like canap\u00e9s when what the appetite really desires is an extravagant banquet.<\/p>\n<p>Dining metaphors aside, as a freelance producer and director, it\u2019s a fairly typical picture with peaks and troughs; I go from bill-paying jobs to brilliant jobs, infuriating production companies to inspiring ones (with employment gaps in between to lunch with friends, play PS3 and attempt to write something no one else has thought of). And in these more pinched budget times, the frustrating and increasingly common \u2018one man band\u2019 question seems to crop in interviews: \u201cI see that you\u2019re a producer director. That\u2019s great but can you do your own research and planning, shoot it all for us and then edit the rushes on Final Cut Pro?\u201d<\/p>\n<p>The many positives that keep the work motors running are the moments where I can honestly say I\u2019ve been proud to get a share of something hugely exciting and to all-intense and purposes, successful. Whether it\u2019s a show, an event, a team, a company or even a script.<\/p>\n<p>At other less proud (although always amusing) times, I\u2019ve questioned why it\u2019s imperative that I find a pensioner who can back flip through a flaming hoop into a paddling pool, or why dragging punters off the streets at 6am is fine, on the promise they\u2019ll get a stale croissant and will definitely maybe but probably not get on telly. Then there was the time I was asked to buy tartan paint and some sky hooks, only to discover I was one of many victims of those lightweight jokes played on runners as part of their initiation.<\/p>\n<p>But after all the training, graveyard shifts and plenty of tomfoolery washed down with gallons of booze, I soon decided if I wedged my tongue firmly into my cheek, climbed carefully but enthusiastically up the ladder and made the right choices (whatever they are), I naively hoped I might just become part of the next big \u2018TV zeitgeist\u2019.<\/p>\n<p>First hurdle though &#8211; what the hell is a zeitgeist? Being young, green and a part-time fan of all things paranormal, I momentarily wondered if zeitgeist had anything to do with poltergeist. The next Most Haunted perhaps? Surely this world isn\u2019t big enough for two Derek Acorahs? But while one \u2018geist\u2019 or \u2018spirit\u2019 is known for being noisy and unpleasant, the other seems to be the foundation on which success in the industry seems to be built, and therefore the appetite-quashing feast of any driven editorial career.<\/p>\n<p>Having the good fortune to find myself working on the much talked about Pineapple Dance Studios as an Edit Producer, it\u2019s actually pretty cool when personal success and recognised success collide, not to mention when a new and interesting twist occurs in a genre and gets everyone talking. It adds to that Ready Brek glow even more when it isn\u2019t about record-breaking viewing figures and a smug, world-dominating production giant taking all the credit.<\/p>\n<p>This series seemed to reach alternative areas of success on levels I hadn\u2019t really thought about before. It made people simultaneously scoff and laugh, it co-erced normally acerbic TV critics to soften up and admit defeat, and it marked an important turning point by arriving at a time when the curtains were finally closing on attention-hogging behemoth Big Brother.<\/p>\n<p>And while I\u2019m the first to admit I thrive off multi-tasking and variety in my skills, it was also refreshing not to be asked to write and plan shoots and do interviews at the same time as operating a camera, lights and a sound kit. But perhaps they\u2019re my lazy bones talking.<br \/>\n<strong><br \/>\nAbi Kelly is a freelance Producer &amp; Director<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week we are pleased to welcome freelance producer\/director, Abi Kelly, who highlights the joys of multi-tasking and the lows of being everything to everyone. When I was fumbling through my teens, dreams and ambitions were usually grounded in being part of something really exciting. If it was buzzy, creative and fun and didn\u2019t involve [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[14],"tags":[267,63,269,263,268],"series":[],"class_list":["post-145","post","type-post","status-publish","format-standard","hentry","category-word-of-mouth","tag-abi-kelly","tag-freelancer","tag-multi-tasking","tag-producerdirector","tag-zeitgeist"],"episode_featured_image":false,"episode_player_image":"https:\/\/www.productionbase.co.uk\/blog\/wp-content\/uploads\/TOTI-Podcast-Artwork.png","download_link":"","player_link":"","audio_player":false,"episode_data":{"playerMode":"dark","subscribeUrls":[],"rssFeedUrl":"https:\/\/www.productionbase.co.uk\/blog\/feed\/podcast\/turn-on-tune-in-2","embedCode":"<blockquote class=\"wp-embedded-content\" data-secret=\"YG1v1vRy7P\"><a href=\"https:\/\/www.productionbase.co.uk\/blog\/2010\/06\/15\/success-zeitgiests-and-the-one-man-band\/\">Success, Zeitgeists &#038; The One Man Band<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.productionbase.co.uk\/blog\/2010\/06\/15\/success-zeitgiests-and-the-one-man-band\/embed\/#?secret=YG1v1vRy7P\" width=\"500\" height=\"350\" title=\"&#8220;Success, Zeitgeists &#038; The One Man Band&#8221; &#8212; ProductionBase Community\" data-secret=\"YG1v1vRy7P\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! 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